Detailed material [in draft form] at:
http://robertlax.blogspot.com
Poster:
In A Library I Found The Story Of A Man
2009 | a musical project inspired by the poetry of Robert Lax
Detailed material [in draft form] at:
http://robertlax.blogspot.com
Poster:
Detailed material [in draft form] at:
http://robertlax.blogspot.com
Poster:
[My] Framed View
2009 | photography
Framed views spotted out of the ordinary chaos.
Never cropped or treated.
Me, the camera and the spot on equal measures.
[My] Framed [Mobile] View
Photographs taken by a cellphone camera
[My] Framed [Shadow] View
Views recorded on 135 b/w film
Framed views spotted out of the ordinary chaos.
Never cropped or treated.
Me, the camera and the spot on equal measures.
[My] Framed [Mobile] View
Photographs taken by a cellphone camera
[My] Framed [Shadow] View
Views recorded on 135 b/w film
Arthropods Will Rule Again
2009 | music, narrations, posters
More information at:
Music Tracks, Texts, Documents, Photographs, Credits
More information at:
Music Tracks, Texts, Documents, Photographs, Credits
Η Προεκλογική Συγκέντρωση
2009 | performance, music, leaflets, posters
Presented at Thiseion Metro Station during the pre-electoral campaign period. October 2nd, 2009.
The Event On Video:
More information about this event at:
Texts, Leaflets, Poster, Credits
Presented at Thiseion Metro Station during the pre-electoral campaign period. October 2nd, 2009.
The Event On Video:
More information about this event at:
Texts, Leaflets, Poster, Credits
Warning! The Following Message Is An Advertisment
2008 | texts, posters, public opinion research
Presented at:
>Αντι-∆ιαφήµιση Festival, Bios, 2008.
In a few words:
Communication through the use of slogans constitutes a way of communication imposed by advertisement. Thus the power of advertisement is great, as slogans are now the main way of interaction in all levels of society. The vindication of a different quality in communication may be considered as Anti-Advertising, contradicting the attempt to create slogans from another starting point, or by deconstructing the existing ones. It is a vindication of a form of communication for which the analysis of the complexity of human existence and social behaviour will be required, through circuitous speech. Slogans and promotional speech constantly form an accelerating environment of falsehood, which is tumbling humanity towards the direction it rose from. Analytical language, when produced as well as comprehended, forms a decelerating environment of knowing oneself and others, which exclusively has the ability to boost humans to evolve.
More information at:
anti-advertising.blogspot
Photo:
Research leaflet:
Presented at:
>Αντι-∆ιαφήµιση Festival, Bios, 2008.
In a few words:
Communication through the use of slogans constitutes a way of communication imposed by advertisement. Thus the power of advertisement is great, as slogans are now the main way of interaction in all levels of society. The vindication of a different quality in communication may be considered as Anti-Advertising, contradicting the attempt to create slogans from another starting point, or by deconstructing the existing ones. It is a vindication of a form of communication for which the analysis of the complexity of human existence and social behaviour will be required, through circuitous speech. Slogans and promotional speech constantly form an accelerating environment of falsehood, which is tumbling humanity towards the direction it rose from. Analytical language, when produced as well as comprehended, forms a decelerating environment of knowing oneself and others, which exclusively has the ability to boost humans to evolve.
More information at:
anti-advertising.blogspot
Photo:
Research leaflet:
Guilt Is You
2008 | video, leaflets
Presented at:
>Festival [Wo+Man]2, Aνοιχτοί Ορίζοντες, Αθήνα, 2008.
In a few words:
[en]
Guilt is what I am.
Any act of acceptance, subjection and revolt takes place in relation to the guilts I am.
Guilt is the most successful mechanism of oppression and the most secure boundary.
Guilts constitute the starting point of education and the foundation stone of all societies.
Guilts evolve through space and time and are imposed in accordance to the needs for survival, the inventiveness or perversion of the leading groups, or even by coincidences.
[ελ]
Ενοχή είναι αυτό που είμαι.
Κάθε δράση αποδοχής, υποταγής και ανταρσίας συμβαίνει σε σχέση με τις ενοχές που είμαι.
Ενοχή είναι ο πιο επιτυχημένος μηχανισμός καταπίεσης και το πιο ασφαλές περιχαράκωμα.
Οι ενοχές αποτελούν την αφετηρία της παιδείας και τον θεμέλιο λίθο κάθε κοινωνίας.
Οι ενοχές τροποποιούνται στον χώρο και τον χρόνο και επιβάλλονται αναλόγως των αναγκών για επιβίωση, της επινοητικότητας ή της διαστροφής των ηγετικών ομάδων, ακόμα και από συμπτώσεις.
Leaflet:
Kill The Monster
2008 | documentary video
Presented at:
>FoldenIn, διαδικτυακό project της οµάδας Personal Cinema, 2008.
This video was produced exclusively for the FoldedIn internet project by the Personal Cinema art group.
It proposes that the violent video war games form a strange and totally unknown to us reality for the youngsters. Video games are part of the educational system, just as the Mass Media are. We just don't care.
The video:
Presented at:
>FoldenIn, διαδικτυακό project της οµάδας Personal Cinema, 2008.
This video was produced exclusively for the FoldedIn internet project by the Personal Cinema art group.
It proposes that the violent video war games form a strange and totally unknown to us reality for the youngsters. Video games are part of the educational system, just as the Mass Media are. We just don't care.
The video:
Tυπογραφικό Λάθος | The Type Error News
2006-2008 | prints, videos, photographs, installations
Presented at:
>Αrt Therapy Festival, Ρέθυµνο, 2007.
>Booze Cooperativa, (ατοµική έκθεση) Αθήνα, 2008.
>Mir Festival, Αθήνα, 2008.
Complete artwork archive and documentation at:
thetypeerrornews.blogspot
Leaflet:
Presented at:
>Αrt Therapy Festival, Ρέθυµνο, 2007.
>Booze Cooperativa, (ατοµική έκθεση) Αθήνα, 2008.
>Mir Festival, Αθήνα, 2008.
Complete artwork archive and documentation at:
thetypeerrornews.blogspot
Leaflet:
ΚΟΝΣΤ ΜΠ at the Emergency Room
2007 | videos, posters, installations, performances
(27 days of participation and equal projects at the Emergency Room formed by Thierry Geoffroy/Colonel)
Presented at:
>Ileana Tounta Art Space, September 2007.
Link to the complete daily archive:
Kostas Beveratos @ Emergency Room
In a few words:
«
Colonel means authority.
I don't give a shit for authority.
The need for authority, like the need for belief and the need for god, is the proof of human insufficiency.
/
I can not accept human insufficiency.
I want to be complete.
I want to be god.
/
(An ant is god. A deer is god. A radish is god. Sand is god. No human is god.)
/
Thierry is a human. This human has a great idea.
This human believes in utopia.
He believes in humanity.
Thierry made a game for humans.
He says: Humans can be gods.
Humans can save themselves.
/
I love this game.
I trust Thierry.
I urge to walk along with him.
»
Photos:
Day 1 / Least Space Of Agreement
Day 4 / RGB: There Is No Vision From The Inside Of A Box
(27 days of participation and equal projects at the Emergency Room formed by Thierry Geoffroy/Colonel)
Presented at:
>Ileana Tounta Art Space, September 2007.
Link to the complete daily archive:
Kostas Beveratos @ Emergency Room
In a few words:
«
Colonel means authority.
I don't give a shit for authority.
The need for authority, like the need for belief and the need for god, is the proof of human insufficiency.
/
I can not accept human insufficiency.
I want to be complete.
I want to be god.
/
(An ant is god. A deer is god. A radish is god. Sand is god. No human is god.)
/
Thierry is a human. This human has a great idea.
This human believes in utopia.
He believes in humanity.
Thierry made a game for humans.
He says: Humans can be gods.
Humans can save themselves.
/
I love this game.
I trust Thierry.
I urge to walk along with him.
»
Photos:
Day 1 / Least Space Of Agreement
Day 4 / RGB: There Is No Vision From The Inside Of A Box
Time, Space & I
2005 | video
[µε την Ήρα Σπαγαδώρου]
Presented at:
>Πεδίο ∆ράσης Κόδρα 2005.
>Asolo Film Festival, 2005.
>Video Dance Festival, Athens, 2007.
The video:
[µε την Ήρα Σπαγαδώρου]
Presented at:
>Πεδίο ∆ράσης Κόδρα 2005.
>Asolo Film Festival, 2005.
>Video Dance Festival, Athens, 2007.
The video:
Art & Illusion
2003 | installation, prints
(µε την Ήρα Σπαγαδώρου)
Presented at:
>Πεδίο ∆ράσης Κόδρα 2003.
(µε την Ήρα Σπαγαδώρου)
Presented at:
>Πεδίο ∆ράσης Κόδρα 2003.
Are You Interested In Art?
2001 | video, εγκατάσταση
Presented at:
>Trash Art, Technopolis, Athens
In a few words:
The video is a 7 minute projection that could be considered as a short-lengh-movie presenting the development of four
parallel stories. A reader who “consumes” and tiles newspapers, a group of smokers who smoke and collect
the cigaret leftovers, the written narration of a small story that instantly becomes trash and last, a trash
collector at his natural environment. The trash collector, once in a while, replies to the question of an invisible
reporter -which question consists the title of the video- with the phrase: "I am not interested in art. I am
interested only in trash."
The installation is consisted by a TV screen placed on top of newspaper tiles and a jar with the cigarette leftovers underneath.
Poster:
The video:
Credits:
Script, direction: ΚΟΝΣΤ ΜΠ
Actors : DAFNI KAPETANAKI, LEONARDOS BATIS, STAVROS SPANOPOULOS,
THEATRICAL WORKSHOP OF THEATER “EPI KOLONO”
Music: ΚΟΝΣΤ ΜΠ, SPYROS TYREAS
Guitar improvisation: SPYROS TYREAS
Video & sound editing: ΚΟΝΣΤ ΜΠ
Technical support: DIONYSIS BOULOUTZAS
Production: PEACE OF ART
Copyright: © 2001, ΚΟΝΣΤ ΜΠ
Presented at:
>Trash Art, Technopolis, Athens
In a few words:
The video is a 7 minute projection that could be considered as a short-lengh-movie presenting the development of four
parallel stories. A reader who “consumes” and tiles newspapers, a group of smokers who smoke and collect
the cigaret leftovers, the written narration of a small story that instantly becomes trash and last, a trash
collector at his natural environment. The trash collector, once in a while, replies to the question of an invisible
reporter -which question consists the title of the video- with the phrase: "I am not interested in art. I am
interested only in trash."
The installation is consisted by a TV screen placed on top of newspaper tiles and a jar with the cigarette leftovers underneath.
Poster:
The video:
Credits:
Script, direction: ΚΟΝΣΤ ΜΠ
Actors : DAFNI KAPETANAKI, LEONARDOS BATIS, STAVROS SPANOPOULOS,
THEATRICAL WORKSHOP OF THEATER “EPI KOLONO”
Music: ΚΟΝΣΤ ΜΠ, SPYROS TYREAS
Guitar improvisation: SPYROS TYREAS
Video & sound editing: ΚΟΝΣΤ ΜΠ
Technical support: DIONYSIS BOULOUTZAS
Production: PEACE OF ART
Copyright: © 2001, ΚΟΝΣΤ ΜΠ
WAR GAMES: Wow, You Must Be An Intellectual!
2001 | video game, video, installation, newspaper
Presented at:
> Youth Biennial Of The European Mediterranean Countries, Sarajevo, Bosnia-Herzegovina.
> Media Terra, European Tour
> Participation at the Personal Cinema project The Making Of Balkan Wars
Detailed information about this project at:
War Games [texts, pictures, videos, credits]
The newspaper:
Video documentation of the presentation at Sarajevo:
Presented at:
> Youth Biennial Of The European Mediterranean Countries, Sarajevo, Bosnia-Herzegovina.
> Media Terra, European Tour
> Participation at the Personal Cinema project The Making Of Balkan Wars
Detailed information about this project at:
War Games [texts, pictures, videos, credits]
The newspaper:
Video documentation of the presentation at Sarajevo:
Hλίου Κρήνη
1999 | publications
μικρή παραμυθία | short solace
ISBN 960-7816-03-X
αριθμός σειράς 4
1999
παρακινδυνευμένη εξομολόγηση | hazardous confession
ISBN 960-7816-04-8
αριθμός σειράς 5
1999
μικρή παραμυθία | short solace
ISBN 960-7816-03-X
αριθμός σειράς 4
1999
παρακινδυνευμένη εξομολόγηση | hazardous confession
ISBN 960-7816-04-8
αριθμός σειράς 5
1999
Hλίου Κρήνη
1997 | publications
αφιερώματα στον θεό Τίποτα | dedications to god Nothing
ISBN 960-7816-00-5
αριθμός σειράς 1
1997
για την αληθινή χαρά | about true joy
ISBN 960-7816-01-3
αριθμός σειράς 2
1997
ποίημα για τον έρωτα | poem about love
ISBN 960-7816-02-1
αριθμός σειράς 3
1997
αφιερώματα στον θεό Τίποτα | dedications to god Nothing
ISBN 960-7816-00-5
αριθμός σειράς 1
1997
για την αληθινή χαρά | about true joy
ISBN 960-7816-01-3
αριθμός σειράς 2
1997
ποίημα για τον έρωτα | poem about love
ISBN 960-7816-02-1
αριθμός σειράς 3
1997
Άρωμα Θαλασσί
1989 | music band
Poster:
Link to more information:
recordings, live performances, super-8 films, videos, posters, photographs, documents
Poster:
Link to more information:
recordings, live performances, super-8 films, videos, posters, photographs, documents
Εισαγωγή
1989 | publication
Ποιος ανέχεται το τυχαίο;
Ποιος αρκείται σ' αυτό;
Ποιος κυλά με το ποτάμι γκρινιάρης
κι ικανοποιημένος;
Ποιος δεν τολμά να δει: το συνηθισμένο
είναι παράλογο.
Ποιος λέει: ε, κι εγώ τι να κάνω;
Φαντάσου:
Ένας άνθρωπος του νεάντερταλ με λαχτάρα
ταρακουνά μια μηλιά. Σήμερα το πρωί
ένα μήλο έπεσε από το τραπέζι. Μια ώρα
μετά οι εφημερίδες έγραφαν: Τρεις κοσμοναύτες
ενενήντα μέρες σε τροχιά γύρω από τη γη.
Το ξέρεις: τα πάντα πέφτουν στη γη.
Τώρα ξέρεις ακόμα: το διαστημόπλοιο
πάει ίσια πάνω.
Γι αυτό είσαι άνθρωπος.
Ποιος ανέχεται το τυχαίο;
Ποιος αρκείται σ' αυτό;
Ποιος κυλά με το ποτάμι γκρινιάρης
κι ικανοποιημένος;
Ποιος δεν τολμά να δει: το συνηθισμένο
είναι παράλογο.
Ποιος λέει: ε, κι εγώ τι να κάνω;
Φαντάσου:
Ένας άνθρωπος του νεάντερταλ με λαχτάρα
ταρακουνά μια μηλιά. Σήμερα το πρωί
ένα μήλο έπεσε από το τραπέζι. Μια ώρα
μετά οι εφημερίδες έγραφαν: Τρεις κοσμοναύτες
ενενήντα μέρες σε τροχιά γύρω από τη γη.
Το ξέρεις: τα πάντα πέφτουν στη γη.
Τώρα ξέρεις ακόμα: το διαστημόπλοιο
πάει ίσια πάνω.
Γι αυτό είσαι άνθρωπος.
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